Top 3 Best Mirrorless Cameras In 2025

You’ve come to the right place if you’re looking for the best mirrorless cameras. If you’re having trouble deciding which ones to buy, start by thinking about what features you really need and want. A lot of this will depend on your experience level, which is why we’ve divided our guide into cameras for beginners, enthusiasts, and advanced users. Next, you can think about your budget because there are a variety of cameras and prices in each category. Finally, you can decide whether it will be worth the extra money to purchase a more expensive camera if you require certain features.

Don’t worry if all of that seems overwhelming; we are here to assist you. See our selection of the top mirrorless cameras by reading on.

These are our selections for the top mirrorless cameras available right now. To assist you in selecting the ideal camera for you, we have categorized this list according to a number of useful characteristics.

Table of Contents

• No 1 Canon EOS R7
• No 2 Panasonic Lumix S5 II
• No 3 Hasselblad X2D 100C

Top 3 Best Mirrorless Cameras In 2025

No 1 Canon EOS R7

The S5 II becomes the first mirrorless camera from Panasonic to use phase-detection AF for video, and contrast-detection AF for stills.

All other Panasonic cameras rely solely on contrast-detection AF, which performs extremely well for photography but is more jittery than phase-detection AF for video, which can be particularly distracting in the resulting footage. Now, finally, we have the best of both worlds. For its price, the EOS R7 delivers an impressive range of features that show why

it’s now Canon’s flagship APS-C camera. Unlike the EOS 90D, you get in-body image stabilization (IBIS), which helps preserve image quality when you’re shooting handheld. You also get two UHS-II card slots and a solid range of video-shooting specs, including headphone and microphone inputs, plus the ability to shoot uncropped 4K/60p video.

Together, these features make the EOS R7 one of the best mirrorless cameras who can’t justify Canon’s full-frame models, which share the same RF-mount. But this mount is also, currently, the EOS R7’s main weakness – at the time of writing, there are only two native RF-S lenses for this camera’s sensor. One of these lenses is an 18-150mm ‘all-rounder’ that comes available in a package with the EOS R7, with the other being an 18-45mm f/4.5-6.3 kit lens.

Other than these two lenses, you have two choices when it comes to optics – use existing full-frame RF lenses, or use either EF or EF-S lenses via the optional EF-to-RF adapter. Neither solution is ideal for keeping things on the light and small side, but hopefully as the system ages, it will also grow to include more options.

No 2 Panasonic Lumix S5 II

The Lumix S5 II from Panasonic. With its easy-to-use controls and ample power, it is a dependable workhorse that feels sturdy in the hand. In addition to 24MP full-frame stills, precise 6K video, and amazing image stabilization, Panasonic has finally adopted phase-detection autofocus.

Although professional filmmakers may find the Panasonic Lumix S5 IIX even more appealing, the S5 II is simply unbeatable at this price if you take video and photos and want full-frame, especially when combined with the superb 20–60mm lens.

I’m once again impressed by Panasonic’s image stabilization, which is more effective than the S5, particularly when shooting a run-and-gun. The S5 II is a camera that can be used handed in most situations and still produce crisp images and fluid video clips, whether you’re vlogging or taking slow-shutter-speed landscape photographs.

The 24MP full-frame sensor’s 779-point phase detection autofocus technology is what distinguishes it as “new.” Since Panasonic has always avoided this technology, in contrast to all other major camera makers, this development in particular thrills folks like me who keep a close eye on the newest advancements in camera technology.

No 3 Hasselblad X2D 100C

The X2D’s 100MP sensor, which employs Hasselblad’s superior Natural Colour Science technology instead of standard, neutral, vivid, or monochrome color modes, will garner most of the attention. This is understandable considering that it has twice the resolution of those other Hasselblads, but there’s a more fascinating reality at work.

In every aspect, the X2D is a more useful camera. Read our in-depth real-world story to learn more about Hasselblad’s color science.

Although the X2D’s performance and versatility are superior to the X1D II’s, its design is still extremely similar, which is a very good thing. For instance, compared to the X1D II’s contrast-detection AF system, the 100MP sensor’s phase-detection AF with a broader 294-point array is noticeably faster.
The performance and handling of the new XCD V series lenses that were released with the camera have also been enjoyable to us.

Focusing has been much simpler with two of the three new lenses we have for this test: the XCD 2,5/55V (55mm f/2.5) and that 38mm f/2.5. This is especially true for manual focusing, which is a problem with the current XCD lenses. These new lenses include a manual focus clutch, a smooth rotation, plus focus distance and hyperfocal distance indications – great stuff.Additionally, the new V-Series lenses are said to autofocus three times faster than the current XCD lenses. For those who already own XCD glass, all of this makes for unpleasant reading, but for those who are thinking about switching to medium format, it’s a fascinating prospect.

How To Choose A Lens For Your Mirrorless Camera:

The ability to use interchangeable lenses is one of the most significant features that mirrorless and DSLR cameras have in common. This feature can significantly enhance image quality and elevate your photography to a new level. However, it can be challenging to choose from so many different lenses. Here is a brief overview of the different kinds of interchangeable lenses that are available for your mirrorless camera to help you become more familiar with this crucial camera accessory:

Standard zoom lenses: This is the lens that most people who buy an entry-level DSLR or mirrorless model as a kit use first. Mirrorless kits generally come with a 14-42mm lens. They typically include a small amount of zoom (3x), and are often inexpensive, but not the highest quality. However, in the past several years, the quality of these kit lenses has improved.

Prime lenses: You can save money by choosing a prime or non-zoom lens. They offer excellent quality, and are often much more affordable. If you need to zoom, just use your feet and walk closer to your subject!

Telephoto zoom lenses: If you shoot a lot of sports or other types of events, consider these powerful zooms, which can bring you closer to the action and provide features to capture images with shallow depth-of-field. They can be a bit heavy and bulky, but most manufacturers have been inventing new lenses that are smaller and more compact, but are still high quality. The 70mm-200mm is a good example of this type of lens.

Wide-angle lenses: If you’re traveling, this type of lens, such as a 16-35mm zoom, can be very valuable, since it allows you to capture different types of wide-angle shots. Want to shoot a group portrait? Set the zoom lens towards the 35mm end of the range, which will avoid distortion at the edges of the image. Or if you want to capture a broad, sweeping landscape, use the lower end of the zoom, nearer to the 16mm end. However, these lenses can be pricey.

Macro or Close-up lenses: If you’re looking to capture close-up shots of small objects, you’ll want a good quality macro lens, which come in a variety of focal lengths, such as 50mm and 100mm. Be sure to do your research so you know that the lens you want has macro capabilities.

Specialty lenses: One of the most notable specialty lenses in this category is the ultra-wide fisheye lens, which some photographers love for the exceptionally distorted point of view. Other types include tilt-shift and soft-focus lenses.

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